LaoDan wrote:Chen Yanlin (陳炎林) writes some about the lingkong jin (凌空勁) ability in his 1943 book 太極拳刀劍桿散手合編 TAIJI COMPILED: THE BOXING, SABER, SWORD, POLE, AND SPARRING.
He seems to indicate that while this skill is real and appears miraculous, “it is not something you ardently need to strive for, for it is really just a parlor trick,” (according to Brennan’s translation).
此勁異常奧妙。近於神祕。而非目覩者所能信。實乃一種精神上之作用而已。藝高者發此勁時。僅須口中一哈。對方卽雙足離地而後退。蓋因被發者。精神已為發者所吸引。無可抵抗。然被發者必須先明沾黏等勁。故一哈之後。卽由感覺而後退。否則發者仍無效。此勁雖奧妙莫測。但學者可不必深求。僅作遊戲觀可耳。相傳昔時楊健侯少侯父子。能吸引燭火近尺。一手隔之。火光遂熄。卽凌空勁中之一法。惟此功夫今已 失傳云。
http://en.wikipedia.org/wiki/Yang_Lu-ch'anYang replied that there were only three kinds of people he could not defeat: men of brass, men of iron and men of wood.
windwalker wrote:the craziest part was that I literally could not feel him doing anything at all. No sensation of being pushed or pulled or manipulated in any way, just moving in a different direction and losing my balance. Very cool stuff.
Now I train wrestling and BJJ, and continually train my central axis sensitivity and meditation on my own. Working both ends of the spectrum, if you like.
good you experienced something that you could not explain.
but now feel that your present training would tend to prevent it?
seems like the better way would be to train in it, until some type of understanding or ability was reached,
then build the training around this.
And as noted earlier: I don't see other Taiji masters taking on their students in scenarios where the students really are going all-out (within the confines of the exercise) to dump the maestro, full force. Ziqiang does this all the time.
There's a lot of Xingyiquan people in China who are perfectly happy just fighting with the 'Ming Jin' stage of skills and strategy and don't want to change-up their personal practice in order to learn the 2nd stage, so the 2nd and 3rd stage of practices are on the verge of being lost, but the stages of refinement for the body movements can occur no matter as they're more based upon doing something correctly for X amount of years will bring about a certain level of refinement. But while these stages require, and depend on that refinement of the body skills, they're not defined or limited to just that, as they have their own tactics and new things to be learned in regards to stepping, hand techniques, etc. that can make better use of those refinements.
MaartenSFS wrote:Hello everyone. I'm sorry that I can't watch all the videos in this thread for now (pain in the arse in China). I'm glad that my thread initiated some discussion. Windwalker is right in saying that I have my limits in what I'll believe. But if I ever meet someone that can take me out without touching I'll be the first to re-recant here, no matter if anyone else believes what I say or not, as I am a man of principle - one with a healthy sense of skepticism. Today I was knocked back several metres into a tree by my teacher. It was nothing but physics that did it, nothing mystical at all. God I love the training. I am going to be such a badarse in three years!
nothing mystical at all.
windwalker wrote:my point would be that much of their skill stems from the basic principles and ideas from which "LKJ" arrives from.
its not something "one strives for" but arrives to, naturally with a deepening understanding of the real skill being developed.
I have always said that touched or not the principle is the same. Why any teacher would then say "it is really just a parlor trick" would seem to indicate they never met with any high level exponent of it, and more to the point that they dont seem to really understand the basis of their own art.
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