if "push hands" is supposed to teach you "something" that you can use in "fighting", that's different.
wayne hansen wrote:Doc is a CLF guy who dabbles in TCC and that clip shows it
T
"He is also a second-generation disciple of Yang Cheng-Fu, having studied under Dr. Hu Yuen-Chou, a closed-door disciple of Yang Cheng-Fu. Y
Doc-Fai Wong was the coach for the United States team competing in the Republic of China International Tai Chi Chuan Federation's World Championship Push Hands competition - an international tournament held every few years in Taiwan. In 1987, his team was the first and only U.S. team to win anything at this tournament, placing second only to Taiwan
Trick wrote:any yang taiji fast form most probably came around -
1 : from students seeing the masters personal spontaneously freestyling the traditional form, and then tried as best they could to recreate into a formalized exercise what they seen...
Yang Shaohou, Yang Chengfu's older brother, learnt some of his skills from his uncle Yang Banhou. His Taiji high "frame" had lively footwork and small movements, alternating quick with slow actions. He was swift and powerful in delivering his blows roaring and howling as he darted back and forth.
The techniques of his Taiji were: overcoming strong attacks with soft movements, adapting oneself to others' movements and following up with quick attacks, using the motion of "sudden connection" to defeat the opponent with surprise attacks. The hand movements included catching, pushing and capturing, injuring the attacker's muscles and harming his bones, attacking the opponent's vital points and "controlling" his arteries and veins, using "continuous" and "sudden connection" force to throw the attacker to the ground with lightning speed.
"When he (Yang Chengfu) gave demonstrations" during his early days in Shanghai, which was setup by his disciple Chen Weiming, Chengfu performed the movements of kicking with speed and force. Later, however, to suit the needs of treating chronic disease, he changed them into slow movements with inner exertion of force. And in such movements as punching downward and punching the opponent's pubic region, he only made imitations instead of manifest exertions of force, thus making the set of movements continuous and evenly paced."
Gu Liu Xin, in his introduction to 'Yang style Taijiquan' by Yang Zhen Duo
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